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Frédéric François Chopin
Works List
(Revision 2 - 11/18/97)
Polonaise
- For pianoforte, composed 1818
- Presented by Chopin to the Empress Maria Teodorowna, mother of the Czar, on the occasion of her visit to Warszawa on 26 Sep 1818
Polonaise
- For pianoforte, composed 1818
- Presented by Chopin to the Empress Maria Teodorowna, mother of the Czar, on the occasion of her visit to Warszawa on 26 Sep 1818. This is the second lost Polonaise of 1818!
Variations
- For pianoforte, composed 1818
- Mentioned in the "Pamietnik Warzawski" of 1818
Polonaise 'Barber of Seville'
- For pianoforte, composed 1825/11
- In 1825/11 Chopin wrote to Bialoblocki: "I have done a new Polonaise on the "Barber" which is fairly well liked. I think of sending it to be lithographed tomorrow."
Variations
- For pianoforte & pianoforte in F Major, composed 1826
- Listed by Louise Chopin
Variations on an Irish National Air (from Thomas Moore)
- For pianoforte & pianoforte, composed 1826
- Stated to be "in D Major or B minor."
Waltz
- For pianoforte in C Major, composed 1826
Andante dolente
- For pianoforte in B flat minor, composed 1827
- Mentioned in the list of Louise Chopin
Ecossaise
- For pianoforte in B Flat Major, composed 1827
- Mentioned in the list of Louise Chopin
Waltz
- For pianoforte in D minor, composed 1828
- Given in Louise's list, with the date, and entitled (? by Louise) 'La partenza' ('The departure')
Waltz
- For pianoforte (supposedly) in A Flat Major, composed 1830/12 (?)
- Known from a letter Chopin wrote on 12/21/1830 from Vienna to his family
Veni Creator
- 1830 (?)
Polonaise
- For pianoforte in G minor, (BI 1) composed 1817
Military March
- For pianoforte, (BI 2) composed 1817
- no copy of this publication is known
The piece was scored for military band (not by Chopin)
Polonaise
- For pianoforte in B Flat Major, (BI 3) composed 1817
Mazurka ('Mazurek')
- For pianoforte in D Major, (BI 4) composed 1820 (?)
- Date of completion doubtful!
Polonaise
- For pianoforte in A Flat Major, (BI 5) composed 1821/4
- Manuscript is a doubtful autograph
Polonaise
- For pianoforte in G sharp minor, (BI 6) composed 1822
- No publisher's number on publication
First name of Mme. Dupont doubtful
Variations on a theme from Rossini's 'La Cenerentola'
- For pianoforte & flute in E Major, (BI 9) composed 1824
Polonaise
- For pianoforte in B Flat Major, (BI 13) composed 1826/7
Introduction and Variations on a German National Air ('Der Schweizerbub')
- For pianoforte in E Major, (BI 14) composed 1826/summer
- The folk-song is probably Tyrolean
Mazurka No. 1
- For pianoforte in G Major, (BI 16) composed 1826
The Mazurka exists in 2 versions:
- 1st version published by M. Leitgeber, Poznan, 5 Jan 1875
2nd version published in Warszawa 1826
Mazurka No. 2
- For pianoforte in B Flat Major, (BI 16) composed 1826
The Mazurka exists in 2 versions:
- 1st version published by M. Leitgeber, Poznan, 5 Jan 1875
2nd version published in Warszawa 1826
Contredanse
- For pianoforte in G Flat Major, (BI 17) composed 1827 (?)
Waltz
- For pianoforte in A Flat Major, (BI 21) composed 1827
Mazurka
- For pianoforte in D Major, (BI 31) composed 1829
Polonaise
- For pianoforte in G Flat Major, (BI 36) composed 1829/7 before (probably)
Variations 'Souvenir de Paganini'
- For pianoforte in A Major, (BI 37) composed 1829/summer
- Theme of these variations is the Italian air 'Le Carnival de Venise' used by Paganini himself as the basis of variations in his Op. 10
Mazurka
- For pianoforte in G Major, (BI 39) composed 1829/8/22
- This is the setting of a poem by Ignac Macicowski, who accompanied Chopin in August 1829 when returning from Wien to Warszawa
Waltz (sketch)
- For pianoforte in A minor, (BI 40) composed 1829 (?)
- The manuscript consists of sketches for a brief prelude and the main theme
Waltz
- For pianoforte in E Major, (BI 44) composed 1829
Waltz
- For pianoforte in E Flat Major, (BI 46) composed 1829 - 1830
Nocturne (Lento con gran espressione)
- For pianoforte in C sharp minor, (BI 49) composed 1830/spring
- dedication doubtful, see Monthly Musical Record, Nov-Dec 1956
Song - 'Charms' ('This charms, so surely charms!')
['Czary' ('To sa czary, pewno czary!') ]
- For voice & pianoforte in D minor, (BI 51) composed 1830
- The 1910 edition was a facsimile reproduction of an album Chopin had sent to Maria Wodzinska. Brown (1960), p. 52, says "the first true publication was in vol. XVII of the Polish 'Complete works' of Chopin, Warsaw, 1954"
Waltz
- For pianoforte in E minor, (BI 56) composed 1830/5 (?)
Contrabass part to a three-part Canon by Mendelssohn
- For pianoforte in B minor, (BI 69) composed 1832/4/16
Grand Duo on themes from Meyerbeer's 'Robert le Diable'
- For pianoforte & cello in E Major, (BI 70) composed 1832/early
Mazurka
- For pianoforte in D Major, (BI 71) composed 1832
- This is a considerably revised version of the Mazurka in D Major, of 1829 (see Brown (1960) p. 30)
Mazurka
- For pianoforte in B Flat Major, (BI 73) composed 1832/6/24
Mazurka
- For pianoforte in C Major, (BI 82) composed 1833
Cantabile
- For pianoforte in B Flat Major, (BI 84) composed 1834
Mazurka
- For pianoforte in A Flat Major, (BI 85) composed 1834/7
Prelude
- For pianoforte in A Flat Major, (BI 86) composed 1834/7/10
Nocturne
- For pianoforte in C minor, (BI 108) composed 1837
Largo in E Flat Major
- For pianoforte in E Flat Major, (BI 109) composed 1837 (?)
Variation no. 6, for the 'Hexaméron'
- For pianoforte in E Major, (BI 113) composed 1837
Canon at the octave
- For pianoforte in F minor, (BI 129) composed 1839 (?)
Nouvelle Étude no. 1
- For pianoforte in F minor, (BI 130) composed 1839/autumn late
Nouvelle Étude no. 2
- For pianoforte in A Flat Major, (BI 130) composed 1839/autumn late
Nouvelle Étude no. 3
- For pianoforte in D Flat Major, (BI 130) composed 1839/autumn late
Song 'Dirge' ('Mist before my eyes')
['Dumka' ('Mgla mi do oczu zawiewa zlona') ]
- For voice & pianoforte in A minor, (BI 132) composed 1840/3/25
Waltz ('Sostenuto')
- For pianoforte in E Flat Major, (BI 133) composed 1840/7/20
Mazurka ('Notre Temps')
- For pianoforte in A minor, (BI 134) composed 1840/summer
Mazurka
- For pianoforte in A minor, (BI 140) composed 1841
Fugue
- For pianoforte in A minor, (BI 144) composed 1841-42
Waltz
- For pianoforte in A minor, (BI 150) composed 1843 (?)
Moderato ('Albumblatt')
- For pianoforte in E Major, (BI 151) composed 1843
Bourree no. 1
- For pianoforte in G Major, (BI 160) composed 1846 (?)
Bourree no. 2
- For pianoforte in A Major, (BI 160) composed 1846 (?)
Waltz
- For pianoforte in B Major, (BI 166) composed 1848/10/12
Variations
- For pianoforte & pianoforte in D Major
Rondo Op. 1
- For pianoforte in C minor, Op. 1 (BI 10) composed 1825/5
- The work has been erroneously called "Rondeau on 'Don Giovanni'"
Variations on a theme from Mozart's 'Don Giovanni' ('Là ci darem la mano') Op. 2
- For pianoforte & orchestra in B Flat Major, Op. 2 (BI 22) composed 1827/summer late
Polonaise Op. 3
- For pianoforte & cello in C Major, Op. 3 (BI 41) composed 1829/10/20 - 1829/10/28
- There exist arrangements for pianoforte solo, for pianoforte & cello OR violin, for pianoforte & viola, for pianoforte & flute. These arrangements are not Chopin's. For details see Brown (1960) p. 41
Introduction to the Polonaise Op. 3
- For pianoforte & cello in C Major, Op. 3 (BI 52) composed 1830/4
Sonata Op. 4 (posth.)
- For pianoforte in C minor, Op. 4 (BI 23) composed 1828/early
- The inscription on the autograph says "oeuvre 3", which is incorrect
Rondo a la Mazur Op. 5
- For pianoforte in F Major, Op. 5 (BI 15) composed 1826
Mazurka Op. 6, 1
- For pianoforte in F sharp minor, Op. 6, 1 (BI 60) composed 1830/late
Mazurka Op. 6, 2
- For pianoforte in C sharp minor, Op. 6, 2 (BI 60) composed 1830/late
Mazurka Op. 6, 3
- For pianoforte in E Major, Op. 6, 3 (BI 60) composed 1830/late
Mazurka Op. 6, 4
- For pianoforte in E flat minor, Op. 6, 4 (BI 60) composed 1830/late
Mazurka Op. 7, 1
- For pianoforte in B Flat Major, Op. 7, 1 (BI 61) composed 1830-31
Mazurka Op. 7, 2
- For pianoforte in A minor, Op. 7, 2 (BI 61) composed 1830-31
- for the 1st version see BI 45
Mazurka Op. 7, 3
- For pianoforte in F minor, Op. 7, 3 (BI 61) composed 1830-31
Mazurka Op. 7, 4 (1st version)
- For pianoforte in A Flat Major, Op. 7, 4 (BI 7) composed 1824
- This is the first version of BI 61 = Op. 7, 4
Mazurka Op. 7, 4
- For pianoforte in A Flat Major, Op. 7, 4 (BI 61) composed 1824
Mazurka Op. 7, 5
- For pianoforte in C Major, Op. 7, 5 (BI 61) composed 1830-31
Trio Op. 8
- For pianoforte & viol& cello in G minor, Op. 8 (BI 25) composed 1829/early
Nocturne Op. 9, 1
- For pianoforte in B flat minor, Op. 9, 1 (BI 54) composed 1830-31/spring
Nocturne Op. 9, 2
- For pianoforte in E Flat Major, Op. 9, 2 (BI 54) composed 1830-31/spring
Nocturne Op. 9, 3
- For pianoforte in B Major, Op. 9, 3 (BI 54) composed 1830-31/spring
Study Op. 10, 1
- For pianoforte in C Major, Op. 10, 1 (BI 59) composed 1830/late autumn
Study Op. 10, 2
- For pianoforte in A minor, Op. 10, 2 (BI 59) composed 1830/late autumn
Study Op. 10, 3
- For pianoforte in E Major, Op. 10, 3 (BI 74) composed 1832/8/25
Study Op. 10, 4
- For pianoforte in C sharp minor, Op. 10, 4 (BI 75) composed 1832/8
Study Op. 10, 5
- For pianoforte in G Flat Major, Op. 10, 5 (BI 57) composed 1830/summer (?)
Study Op. 10, 6
- For pianoforte in E Flat Major, Op. 10, 6 (BI 57) composed 1830/summer (?)
Study Op. 10, 7
- For pianoforte in C Major, Op. 10, 7 (BI 68) composed 1832/spring
Study Op. 10, 8
- For pianoforte in F Major, Op. 10, 8 (BI 42) composed 1829/10 - 1829/11
Study Op. 10, 9
- For pianoforte in F minor, Op. 10, 9 (BI 42) composed 1829/10 - 1829/11
Study Op. 10, 10
- For pianoforte in A Flat Major, Op. 10, 10 (BI 42) composed 1829/10 - 1829/11
Study Op. 10, 11
- For pianoforte in E Flat Major, Op. 10, 11 (BI 42) composed 1829/10 - 1829/11
Study Op. 10, 12
- For pianoforte in C minor, Op. 10, 12 (BI 67) composed 1831/9 (?)
Concerto Op. 11
- For pianoforte & orchestra in E minor, Op. 11 (BI 53) composed 1830/4-8
Introduction and Variations on the 'Ronde' from Herold's 'Ludovic' Op. 12
- For pianoforte B Flat Major, Op. 12 (BI 80) composed 1833/summer
Grand Fantasia on Polish Airs Op. 13
- For pianoforte & orchestra in A Major, Op. 13 (BI 28) composed 1828/11
-
Among the Polish airs used are:
- The folk song 'Juz miesiac zaszedl, psy sie uspily' ('Already the moon had set, the dogs were asleep')
- An air by Karol (Kasimir) Kurpinski
- A Kujawiak (see: Abraham, Gerald, "Chopin's musical style", London 1939, p. 23)
Krakowiak: Grand Concert Rondo Op. 14
- For pianoforte & orchestra in F Major, Op. 14 (BI 29) composed 1828/11-12
- A Krakowiak is a Polish dance in 2/4 time of the Krakow district
Nocturne Op. 15, 1
- For pianoforte in F Major, Op. 15, 1 (BI 55) composed 1830-31 (Arthur Hedley says later, after Chopin's arrival in Paris)
Nocturne Op. 15, 2
- For pianoforte in F Sharp Major, Op. 15, 2 (BI 55) composed 1830-31/spring (Arthur Hedley says later, after Chopin's arrival in Paris)
Nocturne Op. 15, 3
- For pianoforte in G minor, Op. 15, 3 (BI 79) composed 1833
Introduction and Rondo Op. 16
- For pianoforte in E Flat Major, Op. 16 (BI 76) composed 1832
Mazurka Op. 17, 1
- For pianoforte in B Flat Major, Op. 17, 1 (BI 77) composed 1832-33
Mazurka Op. 17, 2
- For pianoforte in E minor, Op. 17, 2 (BI 77) composed 1832-33
Mazurka Op. 17, 3
- For pianoforte in A Flat Major, Op. 17, 3 (BI 77) composed 1832-33
Mazurka Op. 17, 4 (1st version)
- For pianoforte in A minor, Op. 17, 4 (BI 8) composed 1824/8
- This is the first version of BI 77 = Op. 17, 4
Mazurka Op. 17, 4
- For pianoforte in A minor, Op. 17, 4 (BI 77) composed 1832-33
Waltz Op. 18
- For pianoforte in E Flat Major, Op. 18 (BI 62) composed 1831
Introduction and Boléro Op. 19
- For pianoforte in A minor, Op. 19 (BI 81) composed 1833
- Key changes to A Major
Scherzo no. 1 Op. 20
- For pianoforte in B minor, Op. 20 (BI 65) composed 1831/5-6, 1832 revised
Concerto Op. 21
- For pianoforte & orchestra in F minor, Op. 21 (BI 43) composed 1829/autumn - 1830/early
-
- Breitkopf & Härtel published an arrangement for pianoforte solo shortly after the 1st publication.
- First known performance was privately in Chopin's home on 1830/3/3, with Kurpinski conducting. Public performance a fortnight later in National Theatre, Warszawa.
- The work was called 'Second Concerto' on publication due to a delay in preparing the orchestral parts. In order of composition it is the first.
Grand Polonaise Op. 22
- For pianoforte & orchestra in E Flat Major, Op. 22 (BI 58) composed 1830/9 - 1831/7
Andante Spianato Op. 22
- For pianoforte in G Major, Op. 22 (BI 88) composed 1834
Ballade no. 1 Op. 23
- For pianoforte in G minor, Op. 23 (BI 66) composed 1831/5-6 sketched, 1835 completed
Mazurka Op. 24, 1
- For pianoforte in G minor, Op. 24, 1 (BI 89) composed 1834-35
Mazurka Op. 24, 2
- For pianoforte in C Major, Op. 24, 2 (BI 89) composed 1834-35
Mazurka Op. 24, 3
- For pianoforte in A Flat Major, Op. 24, 3 (BI 89) composed 1834-35
Mazurka Op. 24, 4
- For pianoforte in B Flat Major, Op. 24, 4 (BI 89) composed 1834-35
Study Op. 25, 1
- For pianoforte in A Flat Major, Op. 25, 1 (BI 104) composed 1836/9 early
Study Op. 25, 2
- For pianoforte in F minor, Op. 25, 2 (BI 97) composed 1836/1
Study Op. 25, 3
- For pianoforte in F Major, Op. 25, 3 (BI 99) composed 1836
Study Op. 25, 4
- For pianoforte in A minor, Op. 25, 4 (BI 78) composed 1832-34
Study Op. 25, 5
- For pianoforte in E minor, Op. 25, 5 (BI 78) composed 1832-34
Study Op. 25, 6
- For pianoforte in G sharp minor, Op. 25, 6 (BI 78) composed 1832-34
Study Op. 25, 7
- For pianoforte in C sharp minor, Op. 25, 7 (BI 98) composed 1836/early
Study Op. 25, 8
- For pianoforte in D Flat Major, Op. 25, 8 (BI 78) composed 1832-34
Study Op. 25, 9
- For pianoforte in G Flat Major, Op. 25, 9 (BI 78) composed 1832-34
Study Op. 25, 10
- For pianoforte in B minor, Op. 25, 10 (BI 78) composed 1832-34
Study Op. 25, 11
- For pianoforte in A minor, Op. 25, 11 (BI 83) composed 1834
Study Op. 25, 12
- For pianoforte in C minor, Op. 25, 12 (BI 99) composed 1836
Polonaise Op. 26, 1
- For pianoforte in C sharp minor, Op. 26, 1 (BI 90) composed 1834-35
Polonaise Op. 26, 2
- For pianoforte in E Flat Major, Op. 26, 2 (BI 90) composed 1834-35
Nocturne Op. 27, 1
- For pianoforte in C sharp minor, Op. 27, 1 (BI 91) composed 1835
Nocturne Op. 27, 2
- For pianoforte in D Flat Major, Op. 27, 2 (BI 96) composed 1835/autumn
Prelude Op. 28, 1 (?)
- For pianoforte in C Major, Op. 28, (BI 124) composed 1839/11 (?)
Prelude Op. 28, 2
- For pianoforte in A minor, Op. 28, 2 (BI 123) composed 1838/11-12
Prelude Op. 28, 3
- For pianoforte in G Major, Op. 28, 3 (BI 107) composed 1836-1838/11
Prelude Op. 28, 4
- For pianoforte in E minor, Op. 28, 4 (BI 123) composed 1838/11-12
Prelude Op. 28, 5
- For pianoforte in D Major, Op. 28, 5 (BI 107) composed 1836-1838/11
Prelude Op. 28, 6
- For pianoforte in B minor, Op. 28, 6 (BI 107) composed 1836-1838/11
Prelude Op. 28, 7
- For pianoforte in A Major, Op. 28, 7 (BI 100) composed 1836
Prelude Op. 28, 8
- For pianoforte in F Sharp Major, Op. 28, 8 (BI 107) composed 1836-1838/11
Prelude Op. 28, 9
- For pianoforte in E Major, Op. 28, 9 (BI 107) composed 1836-1838/11
Prelude op, 28, 10
- For pianoforte in C sharp minor, Op. 28, 10 (BI 123) composed 1838/11-12
Prelude Op. 28, 11
- For pianoforte in B Major, Op. 28, 11 (BI 107) composed 1836-1838/11
Prelude Op. 28, 12
- For pianoforte in G sharp minor, Op. 28, 12 (BI 107) composed 1836-1838/11
Prelude Op. 28, 13
- For pianoforte in F Sharp Major, Op. 28, 13 (BI 107) composed 1836-1838/11
Prelude Op. 28, 14
- For pianoforte in E flat minor, Op. 28, 14 (BI 107) composed 1836-1838/11
Prelude Op. 28, 15
- For pianoforte in D Flat Major, Op. 28, 15 (BI 107) composed 1836-1838/11
Prelude Op. 28, 16
- For pianoforte in B flat minor, Op. 28, 16 (BI 107) composed 1836-1838/11
Prelude Op. 28, 17
- For pianoforte in A Flat Major, Op. 28, 17 (BI 100) composed 1836
Prelude Op. 28, 18
- For pianoforte in F minor, Op. 28, 18 (BI 107) composed 1836-1838/11
Prelude Op. 28, 19
- For pianoforte in E Flat Major, Op. 28, 19 (BI 107) composed 1836-1838/11
Prelude Op. 28, 20
- For pianoforte in C minor, Op. 28, 20 (BI 107) composed 1836-1838/11
Prelude Op. 28, 21
- For pianoforte in B Flat Major, Op. 28, 21 (BI 123) composed 1838/11-12
Prelude Op. 28, 22
- For pianoforte in G minor, Op. 28, 22 (BI 107) composed 1836-1838/11
Prelude Op. 28, 23
- For pianoforte in F Major, Op. 28, 23 (BI 107) composed 1836-1838/11
Prelude Op. 28, 24
- For pianoforte in D minor, Op. 28, 24 (BI 107) composed 1836-1838/11
Impromptu no. 1 Op. 29
- For pianoforte in A Flat Major, Op. 29 (BI 110) composed 1837
Mazurka Op. 30, 1
- For pianoforte in C minor, Op. 30, 1 (BI 105) composed 1836-37
Mazurka Op. 30, 2
- For pianoforte in B minor, Op. 30, 2 (BI 105) composed 1836-37
Mazurka Op. 30, 3
- For pianoforte in D Flat Major, Op. 30, 3 (BI 105) composed 1836-37
Mazurka Op. 30, 4
- For pianoforte in C sharp minor, Op. 30, 4 (BI 105) composed 1836-37
Scherzo no. 2 Op. 31
- For pianoforte in B flat minor, Op. 31 (BI 111) composed 1837
Nocturne Op. 32, 1
- For pianoforte in B Major, Op. 32, 1 (BI 106) composed 1836-37
Nocturne Op. 32, 2
- For pianoforte in A Flat Major, Op. 32, 2 (BI 106) composed 1836-37
Mazurka Op. 33, 1
- For pianoforte in G sharp minor, Op. 33, 1 (BI 115) composed 1837-38
Mazurka Op. 33, 2
- For pianoforte in D Major, Op. 33, 2 (BI 115) composed 1837-38
Mazurka Op. 33, 3
- For pianoforte in C Major, Op. 33, 3 (BI 115) composed 1837-38
Mazurka Op. 33, 4
- For pianoforte in B minor, Op. 33, 4 (BI 115) composed 1837-38
Waltz Op. 34, 1
- For pianoforte in A Flat Major, Op. 34, 1 (BI 94) composed 1835/9/15
Waltz Op. 34, 2
- For pianoforte in A minor, Op. 34, 2 (BI 64) composed 1831
Waltz Op. 34, 3
- For pianoforte in F Major, Op. 34, 3 (BI 118) composed 1838
Funeral March from Sonata Op. 35
- For pianoforte in B flat minor, Op. 35 (BI 114) composed 1837
Sonata no. 1 Op. 35 (1st movement, Scherzo, Finale)
- For pianoforte in B flat minor, Op. 35 (BI 128) composed 1839/summer
Impromptu no. 2 Op. 36
- For pianoforte in F Sharp Major, Op. 36 (BI 129) composed 1839/autumn early
Nocturne Op. 37, 1
- For pianoforte in G minor, Op. 37, 1 (BI 119) composed 1838
Nocturne Op. 37, 2
- For pianoforte in G Major, Op. 37, 2 (BI 127) composed 1839/7/2
Ballade no. 2 Op. 38
- For pianoforte in F Major, Op. 38 (BI 102) composed 1836 1st version, 1839/1 final version
Scherzo no. 3 Op. 39
- For pianoforte in C sharp minor, Op. 39 (BI 125) composed 1839/1 - 1839/mid
Polonaise Op. 40, 1
- For pianoforte in A Major, Op. 40, 1 (BI 120) composed 1838/10
Polonaise Op. 40, 2
- For pianoforte in C minor, Op. 40, 2 (BI 121) composed 1838/10 (sketch) 1839/early (finished)
Mazurka Op. 41, 1
- For pianoforte in C sharp minor, Op. 41, 1 (BI 126) composed 1839/7
Mazurka Op. 41, 2
- For pianoforte in E minor, Op. 41, 2 (BI 122) composed 1838/11/28
Mazurka Op. 41, 3
- For pianoforte in B Major, Op. 41, 3 (BI 126) composed 1839/7
Mazurka Op. 41, 4
- For pianoforte in A Flat Major, Op. 41, 4 (BI 126) composed 1839/7
Waltz Op. 42
- For pianoforte in A flat minor, Op. 42 (BI 131) composed 1840/spring
Tarantella Op. 43
- For pianoforte in A Flat Major, Op. 43 (BI 139) composed 1841/summer
Polonaise Op. 44
- For pianoforte in F sharp minor, Op. 44 (BI 135) composed 1840/late - 1841/8
Prelude Op. 45
- For pianoforte in C sharp minor, Op. 45 (BI 141) composed 1841/8-9
Allegro de Concert Op. 46
- For pianoforte in A Major, Op. 46 (BI 72) composed 1832 sketched, 1841/5 completed
- Originally conceived as a concerto for pianoforte and orchestra
Ballade no. 3 Op. 47
- For pianoforte in A Flat Major, Op. 47 (BI 136) composed 1840 (sketch) 1841/summer (finished)
Nocturne Op. 48, 1
- For pianoforte in C minor, Op. 48, 1 (BI 142) composed 1841/10
Nocturne Op. 48, 2
- For pianoforte in F sharp minor, Op. 48, 2 (BI 142) composed 1841/10
Fantasia Op. 49
- For pianoforte in F minor, Op. 49 (BI 137) composed 1841/early (sketch) 1841/5 (finished)
Mazurka Op. 50, 1
- For pianoforte in G Major, Op. 50, 1 (BI 145) composed 1841/autumn-1842/summer
Mazurka Op. 50, 2
- For pianoforte in A Flat Major, Op. 50, 2 (BI 145) composed 1841/autumn-1842/summer
Mazurka Op. 50, 3
- For pianoforte in C sharp minor, Op. 50, 3 (BI 145) composed 1841/autumn-1842/summer
Impromptu no. 3 Op. 51 ('Allegro Vivace')
- For pianoforte in G Flat Major, Op. 51 (BI 149) composed 1842/autumn
Ballade no. 4 Op. 52
- For pianoforte in F minor, Op. 52 (BI 146) composed 1842
Polonaise Op. 53
- For pianoforte in A Flat Major, Op. 53 (BI 147) composed 1842
Scherzo no. 4 Op. 54
- For pianoforte in E Major, Op. 54 (BI 148) composed 1842
Nocturne Op. 55, 1
- For pianoforte in F minor, Op. 55, 1 (BI 152) composed 1843
Nocturne Op. 55, 2
- For pianoforte in E Flat Major, Op. 55, 2 (BI 152) composed 1843
Mazurka Op. 56, 1
- For pianoforte in B Major, Op. 56, 1 (BI 153) composed 1843
Mazurka Op. 56, 2
- For pianoforte in C Major, Op. 56, 2 (BI 153) composed 1843
Mazurka Op. 56, 3
- For pianoforte in C minor, Op. 56, 3 (BI 153) composed 1843
Berceuse Op. 57
- For pianoforte in D Flat Major, Op. 57 (BI 154) composed 1843, revised in 1844
Sonata no. 2 Op. 58, 2
- For pianoforte in B minor, Op. 58, 2 (BI 155) composed 1844/summer
Mazurka Op. 59, 1
- For pianoforte in A minor, Op. 59, 1 (BI 157) composed 1845/6-7
Mazurka Op. 59, 2
- For pianoforte in A Flat Major, Op. 59, 2 (BI 157) composed 1845/6-7
Mazurka Op. 59, 3
- For pianoforte in F sharp minor, Op. 59, 3 (BI 157) composed 1845/6-7
Barcarolle Op. 60
- For pianoforte in F Sharp Major, Op. 60 (BI 158) composed 1845/autumn-1846/summer
Polonaise-Fantaisie Op. 61
- For pianoforte in A Flat Major, Op. 61 (BI 159) composed 1845/autumn-1846/summer
Nocturne Op. 62, 1
- For pianoforte in B Major, Op. 62, 1 (BI 161) composed 1846
Nocturne Op. 62, 2
- For pianoforte in E Major, Op. 62, 2 (BI 161) composed 1846
Mazurka Op. 63, 1
- For pianoforte in B Major, Op. 63, 1 (BI 162) composed 1846/autumn early
Mazurka Op. 63, 2
- For pianoforte in F minor, Op. 63, 2 (BI 162) composed 1846/autumn early
Mazurka Op. 63, 3
- For pianoforte in C sharp minor, Op. 63, 3 (BI 162) composed 1846/autumn early
Waltz Op. 64, 1
- For pianoforte in D Flat Major, Op. 64, 1 (BI 164) composed 1846-47
Waltz Op. 64, 2
- For pianoforte in C sharp minor, Op. 64, 2 (BI 164) composed 1846-47
Waltz Op. 64, 3
- For pianoforte in A Flat Major, Op. 64, 3 (BI 164) composed 1846-47
Sonata Op. 65
- For pianoforte in & cello in G minor, Op. 65 (BI 160) composed 1845/autumn-1846
Fantasie-Impromptu Op. 66 (posth.)
- For pianoforte in C sharp minor, Op. 66 (BI 87) composed 1834
Mazurka Op. 67, 1 (posth.)
- For pianoforte in G Major, Op. 67, 1 (BI 93) composed 1835
Mazurka Op. 67, 2 (posth.)
- For pianoforte in G minor, Op. 67, 2 (BI 167) composed 1849/summer
Mazurka Op. 67, 3 (posth.)
- For pianoforte in C Major, Op. 67, 3 (BI 93) composed 1835
Mazurka Op. 67, 4 (posth.)
- For pianoforte in A minor, Op. 67, 4 (BI 163) composed 1846
- There are three versions
Mazurka Op. 68, 1 (posth.)
- For pianoforte in C Major, Op. 68, 1 (BI 38) composed 1829
Mazurka Op. 68, 2 (posth.)
- For pianoforte in A minor, Op. 68, 2 (BI 18) composed 1827
Mazurka Op. 68, 3 (posth.)
- For pianoforte in F Major, Op. 68, 3 (BI 34) composed 1829
- The section 'poco piu vivo' is from the folk-tune 'Oj Magdalino'
Mazurka Op. 68, 4 (posth.)
- For pianoforte in F minor, Op. 68, 4 (BI 168) composed 1849/summer
Waltz Op. 69, 1 (posth.) ('L'Adieu Waltz')
- For pianoforte in A Flat Major, Op. 69, 1 (BI 95) composed 1835/9/24
Waltz Op. 69, 2 (posth.)
- For pianoforte in B minor, Op. 69, 2 (BI 35) composed 1829
Waltz Op. 70, 1 (posth.)
- For pianoforte in G Flat Major, Op. 70, 1 (BI 92) composed 1835
Mazurka Op. 70, 2 (1st version)
- For pianoforte in A minor, Op. 70, 2 (BI 45) composed 1829
Waltz Op. 70, 2 (posth.)
- For pianoforte in F minor, Op. 70, 2 (BI 138) composed 1841/6
Waltz Op. 70, 3 (posth.)
- For pianoforte in D Flat Major, Op. 70, 3 (BI 40) composed 1829/10/3
Polonaise Op. 71, 1 (posth.)
- For pianoforte in D minor, Op. 71, 1 (BI 11) composed 1825
Polonaise Op. 71, 2 (posth.)
- For pianoforte in B Flat Major, Op. 71, 2 (BI 24) composed 1828
- no tempo or expression marks in the manuscript
Polonaise Op. 71, 3 (posth.)
- For pianoforte in F minor, Op. 71, 3 (BI 30) composed 1828
Nocturne Op. 72, 1 (posth.)
- For pianoforte in E minor, Op. 72, 1 (BI 19) composed 1827
Funeral March Op. 72, 2 (posth.)
- For pianoforte in C minor, Op. 72, 2 (BI 20) composed 1827
The work exists in 2 versions:
-
- Published by Schlesinger 1855/5.
- Published in Oxford Edition of Chopin's Works III, ed. E. Ganche, London 1932
Ecossaise Op. 72, 3, 1 (posth.)
- For pianoforte in D Major, Op. 72, 3, 1 (BI 12) composed 1826
Ecossaise Op. 72, 3, 2 (posth.)
- For pianoforte in G Major, Op. 72, 3, 2 (BI 12) composed 1826
Ecossaise Op. 72, 3, 3 (posth.)
- For pianoforte in D Flat Major, Op. 72, 3, 3 (BI 12) composed 1826
Rondo Op. 73
- For pianoforte in C Major, Op. 73 (BI 26) composed 1828/summer
- Four pages facsimile in the Warszawa edition of 1954. This is the earlier version of BI 27
Rondo Op. 73 (final version) (posth.)
- For pianoforte & pianoforte in C Major, Op. 73 (BI 27) composed 1828/8
- This is the final version of BI 26
Song Op. 74, 1 'The wish' ('Were I the sun in the sky')
['Zyczenie' ('Gdybym byla sloneczkiem na') ]
- For voice & pianoforte in A Major, Op. 74, 1 (BI 33) composed 1829
-
- Liszt used the song as no. 2 of 'Glanes de Woronince' (publ. Kistner, Leipzig 1849), calling it 'Melodie Polonaise'
- Text by Stefan Witwicki
Song Op. 74, 2 'Spring' ('The dew glistens, the stream gushes through the fields')
['Wiosna' ('Blyscza krople rosy mruczy zdroj po bloni') ]
- For voice & pianoforte in G minor, Op. 74, 2 (BI 116) composed 1838
- Text by Stefan Witwicki
Andantino Op. 74, 2 (solo arr. for pianoforte of the song Op. 74, 2)
- For pianoforte in G minor, Op. 74, 2 (BI 117) composed 1838/4 - 1848/9/1 (?)
-
- Date is doubtful; there are 5 manuscripts dated between April 1838 and 1 September 1848.
- The Andantino is an arrangement for pianoforte solo from the Song Op. 74, 2 'Wiosna' ('Spring').
Song Op. 74, 3 'The sad stream' ('A stream flowing from foreign parts')
['Smutna Rzeka' ('Rzeko z cudzoziemcow strony') ]
- For voice & pianoforte in F sharp minor, Op. 74, 3 (BI 63) composed 1831
- Text by Stefan Wiwicki
Song Op. 74, 4 'Merrymaking' ('Serving Maid, take care')
['Hulanka' ('Szynkareczko') ]
- For voice & pianoforte in E Flat Major, Op. 74, 4 (BI 50) composed 1830
- Text by Stefan Witwicki
Song Op. 74, 5 'There where she loves' ('A stream loves the vale')
['Gdzie lubi' ('Strumyk lubi w dolinie') ]
- For voice & pianoforte in A Major, Op. 74, 5 (BI 32) composed 1829
- Text by Stefan Witwicki
Song Op. 74, 6 'Out of my sight!' ('Out of my sight')
['Precz z moich oczu!' ('Precz z moich oczu! posluchani odrazu!') ]
- For voice & pianoforte in F minor, Op. 74, 6 (BI 48) composed 1830/spring
- Key changes to A Flat Major!
Text by Adam Mickiewicz
Song Op. 74, 7 'The envoy' ('The early sun broke forth')
['Posel' ('Blyslo ranne ziolko') ]
- For voice & pianoforte in F Major, Op. 74, 7 (BI 50) composed 1830
- Text by Stefan Witwicki
Song Op. 74, 8 'Handsome Lad' ('Strong, tall and young')
['Sliczny chlopiec' ('Wzniosly, smukly i mlody') ]
- For voice & pianoforte in D Major, Op. 74, 8 (BI 143) composed 1841
- Text by Bohdan Zaleski
Song Op. 74, 9 'Melody' ('From the mountains they bore the terrible crosses')
['Melodya' ('Z gor gdzie dzwigali strasznych krzyzow') ]
- For voice & pianoforte in G Major, Op. 74, 9 (BI 165) composed 1847
- Key changes to E minor!
Text by Zygmunt Krasinski, early editions give "Author unknown"
Song Op. 74, 10 'The Warrior' ('My bay horse neighs')
['Wojak' ('Rzyj moj gniady') ]
- For voice & pianoforte in A Flat Major, Op. 74, 10 (BI 47) composed 1830/spring
- Text by Stefan Witwicki
Song Op. 74, 11 'The Double End' ('They loved for a year…')
['Dwojaki koniec' ('Rok sie kochali…') ]
- For voice & pianoforte in D minor, Op. 74, 11 (BI 156) composed 1845
- Text by Bohdan Zaleski
Song Op. 74, 12 'My darling' ('My darling when you are happily singing')
[Moja 'pieszczotka' ('Moja pieszczotka gdy wesolej') ]
- For voice & pianoforte in G Flat Major, Op. 74, 12 (BI 112) composed 1837
- Text by Adam Mickiewicz
Song Op. 74, 13 'I want what I have not' ('Mist before my eyes')
['Nie ma czego trzeba' ('Mgla mi do oczu') ]
- For voice & pianoforte in A minor, Op. 74, 13 (BI 156) composed 1845
- Text by Bohdan Zaleski
Song Op. 74, 14 The ring ('I'm sad, nurse')
[Pierscien ('Smutno nianki, ci spiewaly') ]
- For voice & pianoforte in E Flat Major, Op. 74, 14 (BI 103) composed 1836/9/8
- Text by Stefan Witwicki
Song Op. 74, 15 'The Bridgeroom' ('The wind rose…')
['Narzeczony' ('Wiatr zaszumial') ]
- For voice & pianoforte in E minor, Op. 74, 15 (BI 63) composed 1831
- Text by Stefan Witwicki
Song Op. 74, 16 'Lithuanian Song' ('Very early in the morning')
['Piosnka Litewska' ('Bardzo raniuchno') ]
- For voice & pianoforte in F Major, Op. 74, 16 (BI 63) composed 1830-31
- Text by Ludwika Osinskiego
Song Op. 74, 17 Poland's Dirge 'Hymn from the Tomb' ('The leaves drift from the trees')
[Spiew grobowy ('Leca liscie z drzewa') ]
- For voice & pianoforte in E flat minor, Op. 74, 17 (BI 101) composed 1836
- Text by Wincenty Pol