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Manipulating Recorded Music

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Glenn Gould

Pianist Gould foresaw tech role in music

Canadian pianist Glenn Gould, who gave his last performance for an audience in 1964 in Los Angeles, foresaw that listeners would be able to use technology to manipulate recorded music in various ways.

By Michael Hiltzik
Los Angeles Times

Forty-five years ago this month, the great Canadian pianist Glenn Gould stepped off the stage of the Wilshire Ebell Theatre and became the prophet of a new technology.

Gould's act was an act of omission, not commission. That April 10, 1964, recital in the Los Angeles hall was the last concert he ever gave – a forsaking of the tradition of public performance that was unprecedented for such a young (31) and eminent interpreter of Bach and Beethoven.

Read more about this at the Los Angeles Times website:

   www.latimes.com/business/la-fi-hiltzik6-2009apr06,0,1861405.column

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