Leopold Stokowski introduced Carmina Burana to Boston and New York in 1954:
"I believe that Orff's genius – combining as it does so magnificently all the resources of traditional occidental music with vigourous new conceptions of lyricism, romantic intensity, gigantic architectonics, rhythmic audacity, an extraordinarily personal blending of pagan and modern feeling, and the mature simplicity achieved only by a master – will be recognised by future generations as a major departure in the development of the art of music."