All Made of Tunes: Charles Ives and the Uses of Musical Borrowing. J. Peter Burkholder. Yale University Press. 1995. ISBN 0300056427 (hardcover).

The Art of Ballets Russes: The Serge Lifar Collection of Theater Designs, Costumes, and Paintings at the Wadsworth Atheneum, Hartford, Connecticut. Alexander Schouvaloff. Yale University Press. 1998. ISBN 0300074840 (hardcover).

Bayreuth: A History of the Wagner Festival. Frederic Spotts. Yale University Press. 1994. ISBN 0300057776 (hardcover).

Bayreuth: A History of the Wagner Festival. Frederic Spotts. Yale University Press. 1996. ISBN 0300066651 (paperback).

Beethoven in German Politics 1870-1989. David B. Dennis. Yale University Press. 1996. ISBN 0300063997 (hardcover).

Charles Ives and the Classical Tradition. Geoffrey Block (Editor), J. Peter Burkholder (Editor). Yale University Press. 1996. ISBN 0300061773 (hardcover).

Charles Ives, 'My Father's Song': A Psychoanalytic Biography. Stuart Feder. Yale University Press. 1992. ISBN 0300054815 (hardcover).

Cosima Wagner's Diaries: An Abridgement. Cosima Wagner, Geoffrey Skelton (Editor). Yale University Press. 1997. ISBN 0300069049 (hardcover).

Counterpoint: Fundamentals of Music Making. Markand Thakar. Yale University Press. 1990. ISBN 0300046286 (hardcover).

Counterpoint: Fundamentals of Music Making. Markand Thakar. Yale University Press. 1990. ISBN 0300046383 (paperback).

Dramma Per Musica: Italian Opera Seria of the Eighteenth Century. Reinhard Strohm. Yale University Press. 1997. ISBN 0300064543 (hardcover).

Ear Training for Twentieth Century Music. Michael L. Friedmann. Yale University Press. 1990. ISBN 0300045360 (hardcover).

Ear Training for Twentieth-Century Music. Michael L. Friedman, Michael L. Friedmann. Yale University Press. 1990. ISBN 0300045379 (paperback).

Interpreting Bach's Well-Tempered Clavier: A Performer's Discourse of Method. Ralph Kirkpatrick, Ralph Kirkpatrik. Yale University Press. 1987. ISBN 0300038933 (paperback).

Interpreting Bach's Well-Tempered Clavier: Performer's Discourse of Method. Ralph Kirkpatrick. Yale University Press. 1984. ISBN 0300030584 (hardcover).

The Italian Madrigal and Related Repertories: Indices to Printed Collections, 1500-1600. Harry B. Lincoln. Yale University Press. 1988. ISBN 0300036833 (hardcover).

Kurt Weill: An Illustrated Life. Jurgen Schebera, Caroline Murphy. Yale University Press. 1995. ISBN 0300060556 (hardcover).

Kurt Weill: An Illustrated Life. Jurgen Schebera, Caroline Murphy (Translator). Yale University Press. 1997. ISBN 0300072848 (paperback).

The Language of the Classical French Organ: A Musical Tradition Before 1800. Fenner Douglass. Yale University Press. 1995. ISBN 0300064268 (paperback).

The Lied: Mirror of Late Romanticism. Edward F. Kravitt. Yale University Press. 1996. ISBN 0300063652 (hardcover).

Mozart and His Circle: A Biographical Dictionary. Peter Clive. Yale University Press. 1994. ISBN 0300059000 (hardcover).

Music & Spectacle in Baroque Rome: Barberini Patronage Under Urban VIII. Frederick Hammond. Yale University Press. 1994. ISBN 0300055285 (hardcover).

The Music of Alban Berg (Composers of the Twentieth Century). Dave Headlam. Yale University Press. 1996. ISBN 0300064004 (hardcover).

The Music of Alexander Scriabin (Composers of the Twentieth Century). James M. Baker. Yale University Press. 1986. ISBN 0300033370 (hardcover).

The Music of Béla Bartók (Composers of the Twentieth Century). Paul Wilson. Yale University Press. 1992. ISBN 0300051115 (hardcover).

The Music of Charles Ives (Composers of the Twentieth Century). Philip Lambert. Yale University Press. 1997. ISBN 0300065221 (paperback).

Music of Claude Debussy (Composers of the Twentieth Century). Richard S. Parks. Yale University Press. 1990. ISBN 0300044399 (hardcover).

The Music of Gershwin (Composers of the Twentieth Century). Steven E. Gilbert. Yale University Press. 1995. ISBN 0300062338 (hardcover).

'Music of the Highest Class': Elitism and Populism in Antebellum Boston. Michael Broyles. Yale University Press. 1992. ISBN 0300054955 (hardcover).

Music With Words: A Composer's View. Virgil Thomson. Yale University Press. 1989. ISBN 0300045050 (hardcover).

Musical Poetics (Music Theory Translation). Joachim Burmeister, et al. Yale University Press. 1993. ISBN 0300051107 (hardcover).

Musicology and Performance. Paul Henry Lang, et al. Yale University Press. 1997. ISBN 0300068050 (hardcover).

A New Hymnal for Colleges and Schools. Jeffery Rowthorn, Russell Schulz-Widmar (Editor). Yale University Press. 1992. ISBN 0300051131 (hardcover).

New Orpheus: Essays on Kurt Weill. Kim H. Kowalke (Editor). Yale University Press. 1986. ISBN 0300035144 (hardcover).

A New Orpheus: Essays on Kurt Weill. Kim H. Kowalke (Editor). Yale University Press. 1990. ISBN 0300046162 (paperback).

Opera and Its Symbols: The Unity of Words, Music, and Staging. Robert Donington. Yale University Press. 1992. ISBN 0300056613 (paperback).

Opera and Politics: From Monteverdi to Henze. John Bokina. Yale University Press. 1997. ISBN 0300069359 (hardcover).

Opera in America: A Cultural History. John Dizikes. Yale University Press. 1995. ISBN 0300061013 (paperback).

Opera in America: A Cultural History. John Dizikes. Yale University Press. 1993. ISBN 0300054963 (hardcover).

A Performer's Guide to the Keyboard Partitas of J.S. Bach. Fernando Valenti, Johann Sebastian Bach. Yale University Press. 1990. ISBN 0300043120 (hardcover).

Performing Twentieth-Century Music: A Handbook for Conductors and Instrumentalists. Arthur Weisberg. Yale University Press. 1996. ISBN 0300066554 (paperback).

Schubert's Vienna (Aston Magna Academy Book). Raymond Erickson (Editor). Yale University Press. 1997. ISBN 0300070802 (hardcover).

Selected Letters of Paul Hindemith. Paul Hindemith, Geoffrey Skelton (Editor). Yale University Press. 1995. ISBN 0300064519 (hardcover).

Steinway & Sons. Richard K. Lieberman. Yale University Press. 1995. ISBN 0300063644 (hardcover).

Steinway & Sons. Richard K. Lieberman. Yale University Press. 1997. ISBN 0300068506 (paperback).

Stringed Instruments of Ancient Greece. Martha Maas, Jane McIntosh Snyder. Yale University Press. 1989. ISBN 0300036868 (hardcover).

Structure of Atonal Music. Allen Forte. Yale University Press. 1977. ISBN 0300021208 (paperback).

Tempo Indications of Mozart. Jean-Pierre Marty. Yale University Press. 1989. ISBN 0300038526 (hardcover).

Thematic Catalogue of the Works of Carl Philipp Emanuel Bach. E. Eugene Helm. Yale University Press. 1989. ISBN 0300026544 (hardcover).

The Theory of Music. Franchino Gaffurio, et al. Yale University Press. 1993. ISBN 0300054971 (hardcover).

Wagner: Race and Revolution. Paul Lawrence Rose. Yale University Press. 1996. ISBN 0300067453 (paperback).

Wagner: Race and Revolution. Paul Lawrence Rose. Yale University Press. 1992. ISBN 0300051824 (hardcover).

Wagner in Performance. Barry Millington, Stewart Spencer (Editor). Yale University Press. 1992. ISBN 0300057180 (hardcover).

Ancient Music Adapted to Modern Practice (Music Theory Translation Series). Nicola Vicentino, et al. Yale University Press. 1996. ISBN 0300066015 (hardcover).

The Atonal Music of Anton Webern (Composers of the Twentieth Century). Allen Forte. Yale University Press. 1998. ISBN 0300073526 (hardcover).

French Masters of the Organ. Michael Murray. Yale University Press. 1998. ISBN 0300072910 (hardcover).

Harry Partch: A Biography. Bob Gilmore. Yale University Press. 1998. ISBN 0300065213 (hardcover).

Johann Sebastian Bach: Orgelchorale Der Eumeister-Sammlung: Organ Chorales from the Neumeister Collection (Yale University, Manuscript Lm 4708). Johann Sebastian Bach, Christopher Wolff (Editor). Yale University Press. 1985. ISBN 0300035098 (paperback).

Mourning into Joy: Music, Raphael, and Saint Cecilia. Thomas Connolly. Yale University Press. 1995. ISBN 0300059019 (hardcover).

The Music of Serge Prokofieff (Composers of the Twentieth Century). Neil Minturn. Yale University Press. 1997. ISBN 0300063660 (hardcover).

Musica Enchiriadis and Scolica Enchiriadis (Music Theory Translation). Raymond Erickson (Translator), Claude V. Palisca (Editor). Yale University Press. 1995. ISBN 0300058187 (hardcover).

The Neumeister Collection of Chorale Preludes from the Bach Circle. Christopher Wolff. Yale University Press. 1986. ISBN 0300035101 (hardcover).

The Schambach-Kaston Collection of Musical Instruments. Richard T. Rephann. Yale University Press. 1988. ISBN 0929530055 (paperback).

Aristides Quintilianus on Music: In Three Books. Aelius Aristides. Yale University Press. 1983. ISBN 0300028938 (paperback).

Art of Strict Musical Composition. Johann Kirnbirger. Yale University Press. 1982. ISBN 0300024835 (paperback).

Beethoven's Ninth Symphony: A Portrayal of Its Musical Content, With Running Commentary on Performance and Literature As Well. Heinrich Schenker, John Rothgeb (Translator). Yale University Press. 1992. ISBN 0300054599 (paperback).

Charles Ives: The Ideas Behind the Music. J. Peter Burkholder. Yale University Press. 1987. ISBN 0300038852 (paperback).

The Composer's Advocate. 1982. ISBN 0300024274 (paperback).

The Composer's Advocate. Erich Leinsdorf. Yale University Press. 1982. ISBN 0300028873 (paperback).

Composition With Pitch-Classes: A Theory of Compositional Design. Robert D. Morris. Yale University Press. 1987. ISBN 0300036841 (paperback).

The Emancipation of Music from Language: Departure from Mimesis in Eighteenth-Century Aesthetics. John Neubauer. Yale University Press. 1986. ISBN 0300035772 (paperback).

The Florentine Camerata: Documentary Studies and Translations (Music Theory Translation Series). Claude V. Palisca. Yale University Press. 1989. ISBN 0300039166 (paperback).

Form and Transformation in Music and Poetry of the English Renaissance.. Paula. Johnson. Yale University Press. 1972. ISBN 0300015445 (paperback).

Fundamentals of Music: Anicius Manlius Severinus Boethius (Music Theory Translation Series). Claude V. Palisca (Editor), Calvin M. Bower (Translator). Yale University Press. 1989. ISBN 0300039433 (paperback).

Generalized Musical Intervals and Transformations. David Lewin. Yale University Press. 1987. ISBN 0300034938 (paperback).

Hucbald, Guido, and John on Music: Three Medieval Treatises (Music Theory Translation Series ; 3). Claude V. Palisca. Yale University Press. 1978. ISBN 0300020406 (paperback).

Humanism in Italian Renaissance Musical Thought. Claude V. Palisca. Yale University Press. 1986. ISBN 0300033028 (paperback).

Humanism in Italian Renaissance Musical Thought. Claude V. Palisca. Yale University Press. 1990. ISBN 0300049625 (paperback).

Introductory Essay on Composition: The Mechanical Rules of Melody, Sections 3 and 4. Heinrich Christoph Koch. Yale University Press. 1984. ISBN 0300028148 (paperback).

Janáček and Brod. Charles Susskind. Yale University Press. 1985. ISBN 0300034202 (paperback).

Leonardo Da Vinci As a Musician. Emanuel Winternitz. Yale University Press. 1982. ISBN 0300026315 (paperback).

Music Analysis in Theory and Practice. Jonathan Dunsby, Arnold Whittall. Yale University Press. 1988. ISBN 0300037139 (paperback).

Music As Heard: A Study in Applied Phenomenology. Thomas Clifton. Yale University Press. 1983. ISBN 0300020910 (paperback).

The Music of Edgard Varèse (Composers of the Twentieth Century). Jonathan W. Bernard. Yale University Press. 1987. ISBN 0300035152 (paperback).

Music of Igor Stravinsky. Pieter C. Van Den Toorn. Yale University Press. 1983. ISBN 0300026935 (paperback).

The Music of Igor Stravinsky (Composers of the 20^th Century). Pieter C. Van Den Toorn. Yale University Press. 1987. ISBN 0300038844 (paperback).

The Music of Paul Hindemith (Composers of the Twentieth Century). David Neumeyer. Yale University Press. 1986. ISBN 0300032870 (paperback).

Musical Form and Transformation: 4 Analytic Essays. David Lewin. Yale University Press. 1993. ISBN 0300056869 (paperback).

Musical Instruments and Their Symbolism in Western Art,Published 1979. ISBN 0300023243 (paperback).

Musical Instruments and Their Symbolism in Western Art: Studies in Musical Iconology. Emanuel Winternitz. Yale University Press. 1979. ISBN 0300023766 (paperback).

Musical Structure and Performance. Wallace Berry. Yale University Press. 1989. ISBN 0300043279 (paperback).

Musical Form and Transformation: 4 Analytic Essays. David Lewin. Yale University Press. 1993. ISBN 0300056869 (paperback).

On the Modes: Part Four of Le Istitutioni Harmoniche, 1558. Gioseffo Zarlino. Yale University Press. 1983. ISBN 0300029373 (paperback).

The Stratification of Musical Rhythm. Maury Alan. Yeston. Yale University Press. 1975. ISBN 0300018843 (paperback).

Unsuspected Eloquence: A History of the Relations Between Poetry and Music. James A. Winn. Yale University Press. 1984. ISBN 0300032439 (paperback).

Unsuspected Eloquence: A History of the Relations Between Poetry and Music. James Anderson, Winn. Yale University Press. 1981. ISBN 0300026153 (paperback).

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