Classical Net

The Internet's Premier Classical Music Source

Related Links

Recommended Links

Give the Composers Timeline Poster



Site News

What's New for
Winter 2018/2019?

Site Search

Follow us on
Facebook    Twitter

Affiliates

In association with
Amazon
Amazon UKAmazon GermanyAmazon CanadaAmazon FranceAmazon Japan

ArkivMusic
CD Universe

JPC
ArkivMusic

Sheet Music Plus Featured Sale

DVD Review

Giuseppe Verdi

Otello

  • Placido Domingo (Otello)
  • Barbara Frittoli (Desdemona)
  • Leo Nucci (Iago)
  • Caesare Catani (Cassio)
  • Antonello Ceron (Roderigo)
  • Rosanna Rinaldi (Emilia)
  • G. Battista Parodi (Lodovico)
  • Cesare Lana (Montano)
Orchestra & Chorus of the Teatro alla Scala/Ricardo Muti
Subtitles: English, German, French, Spanish, Italian
TDK DVD DVOPOTEL Widescreen LPCM Stereo Dolby Digital DTS 140m
Find it at AmazonFind it at Amazon UKFind it at Amazon GermanyFind it at Amazon CanadaFind it at Amazon FranceFind it at Amazon Japan

This is, of course, a very dark opera, filled with tragedy and passion, deceit and suspicion, jealousy and despair. It's generally ranked among Verdi's finest and is certainly among my favorite Verdi operas, along with Aïda, Rigoletto, and Il Trovatore. All that said, however, the story here is Domingo. Not that Verdi is somehow pushed to the background (in a masterpiece like this, how could he be?) or that the other performers are comparatively weak (they're quite excellent) – it's just that the great Spanish tenor is in such fine voice at his age (almost sixty-one when this was recorded) that one must marvel at the sounds he produces and the drama he engenders. His effort here holds up remarkably well even in comparison with his 1978 RCA Otello, a performance led by James Levine (with the recording-only orchestra, the National Philharmonic), and Renata Scotto as Desdemona and Sherill Milnes as Iago.

Here, Barabara Frittoli delivers an innocent, passionate, utterly convincing Desdemona and Leo Nucci is an appropriately evil Iago. (Is there any villain in all literature to challenge Shakespeare's [and Verdi's] Iago for pure evil?) The other cast members are also quite effective, and Ricardo Muti conducts with an incisive baton, drawing fine playing from the orchestra and imparting a subtle sense of tension to the music in the right places.

The sound is vivid and the stage direction (under Graham Vick) is imaginative and fully convincing. In the end, though, it will be probably Domingo's fans who will be most proud of this DVD. Strongly recommended.

Copyright © 2003, Robert Cummings

Trumpet

© 1995-2024 Classical Net
Use of text, images, or any other copyrightable material contained in these pages, without the written permission of the copyright holder,
except as specified in the Copyright Notice, is strictly prohibited. All Rights Reserved.