Pianists in large numbers continue exploring Scarlatti's 555 keyboard sonatas and recording labels regularly oblige them in their mission. Here, Naxos issues its Volume 6 in a series that has thus far offered a different pianist in every release. Volume 1 featured Georgian émigré pianist, Eteri Andjaparidze (8.553061 Amazon - UK - Germany - Canada - France - Japan ), while the ensuing issue presented the American Michael Lewin (8.553067 Amazon - UK - Germany - Canada - France - Japan ), followed by the Hungarian Jenő Jandó (8.555047), the American Beatrice Long (8.553846 Amazon - UK - Germany - Canada - France - Japan ), and, in Volume 5, the British pianist Benjamin Frith (8.554792 Amazon - UK - Germany - Canada - France - Japan . Despite some mixed results, the Naxos series has been a generally successful endeavor.
The Russian Yevgeny Zarafiants carries the torch this time, having scored two previous successes for Naxos with a pair of Scriabin discs. Here, he shows great sensitivity in this varied collection of Scarlatti sonatas. Some may prefer a lighter touch and a generally less meaty approach than Zarafiants gives most of these works, but I like his way with Scarlatti, and in the end I think most listeners will find his more Romantic style quite appealing.
With Canadian artist Luc Beauséjour, using a harpsichord, we enter what most would consider a more authentic interpretive world. That said, I must confess my preference for hearing Scarlatti on a modern piano. Beauséjour's Scarlatti is robust and colorful, joyful and jaunty, but also subtle and refined. I missed his first volume in this series (FL23041 Amazon - UK - Germany - Canada - France - Japan ), but on the evidence here, I would say that his discs are worth acquiring for those preferring a harpsichord in these sonatas.
The sound on both the Naxos and Analekta discs is vivid and the notes in the accompanying booklets are informative.
Copyright © 2004, Robert Cummings