The American Popular Ballad of the Golden Era, 1924-1950. Allen Forte. Princeton University Press. 1995. ISBN 069104399X (hardcover).

The Attentive Listener: Three Centuries of Music Criticism. Harry Haskell (Editor). Princeton University Press. 1996. ISBN 0691026416 (hardcover).

Bartók and His World (Bard Music Festival). Peter Laki (Editor). Princeton University Press. 1995. ISBN 0691006334 (paperback).

Beethoven Hero. Scott Burnham. Princeton University Press. 1995. ISBN 0691044074 (hardcover).

Believing in Opera. Tom Sutcliffe. Princeton University Press. 1997. ISBN 0691015635 (hardcover).

Brahms and His World. Walter Frisch (Editor). Princeton University Press. 1990. ISBN 0691027137 (paperback).

Charles Ives and His World (Bard Music Festival Series), J. Peter Burkholder (Editor). Princeton University Press. 1996. ISBN 069101163X (paperback).

Charles Ives and His World (Bard Music Festival Series), J. Peter Burkholder (Editor). Princeton University Press. 1996. ISBN 0691011648 (hardcover).

Defining Russia Musically: Historical and Hermeneutical Essays. Richard Taruskin. Princeton University Press. 1997. ISBN 0691011567 (hardcover).

Dvořák and His World (Bard Music Festival Series), Michael Beckerman (Editor). Princeton University Press. 1993. ISBN 0691000972 (paperback).

Gregorian Chant and the Carolingians. Kenneth Levy. Princeton University Press. 1998. ISBN 0691017336 (hardcover).

Haydn and His World (Bard Music Festival Series), Elaine Sisman (Editor). Princeton University Press. 1997. ISBN 0691057990 (paperback).

Intimate Letters: Leoš Janáček to Kamila Stosslova. John Tyrrell (Contributor), et al. Princeton University Press. 1994. ISBN 0691036489 (hardcover).

Janáček's Operas: A Documentary Account by the Composer. John Tyrrell. Princeton University Press. 1992. ISBN 069109148X (hardcover).

Leonora's Last Act: Essays in Verdian Discourse (Princeton Studies in Opera). Roger Parker. Princeton University Press. 1997. ISBN 0691015570 (hardcover).

Music and Discourse: Toward a Semiology of Music/Translated from French. Jean-Jacques Nattiez, Carolyn Abbate. Princeton University Press. 1990. ISBN 0691027145 (paperback).

Music in the Theater: Essays on Verdi and Other Composers (Princeton Studies in Opera). Pierluigi Petrobelli, Roger Parker (Translator). Princeton University Press. 1994. ISBN 069109134X (hardcover), 0691027102 (paperback).

The Music Theory of Godfrey Winham. Leslie David Blasius. Princeton University Press. 1997. ISBN 069101227X (hardcover).

Musorgsky: Eight Essays and an Epilogue. Richard Taruskin, Caryl Emerson. Princeton University Press. 1993. ISBN 0691091471 (hardcover), 0691016232 (paperback).

Orlando Di Lasso's Imitation Magnificats for Counter-Reformation Munich. David Crook. Princeton University Press. 1994. ISBN 0691036144 (hardcover).

Ornamentation in Baroque and Post-Baroque Music: With Special Emphasis on J.S. Bach. Frederick Neumann. Princeton University Press. 1983. ISBN 0691027072 (paperback).

The Politicized Muse: Music for Medici Festivals, 1512-1537 (Princeton Essays on the Arts). Anthony M. Cummings. Princeton University Press. 1992. ISBN 0691091420 (hardcover).

Puccini's Turandot: The End of the Great Tradition (Princeton Studies in Opera). William Ashbrook, Harold Powers. Princeton University Press. 1991. ISBN 0691027129 (paperback).

Puccini's Turandot: The End of the Great Tradition (Princeton Studies in Opera). William Ashbrook, Harold Powers. Princeton University Press. 1991. ISBN 0691091374 (hardcover).

Reading Opera. Arthur Groos, Roger Parker (Editor). Princeton University Press. 1988. ISBN 0691091323 (hardcover).

Repertory of Tropes at Winchester. Alejandro Planchart. Princeton University Press. 1976. ISBN 0691091218 (hardcover).

Richard Strauss and His World. Bryan Gilliam (Editor). Princeton University Press. 1992. ISBN 0691027625 (paperback).

Richard Wagner, Fritz Lang and the Nibelungen: The Dramaturgy of Disavowal (Princeton Studies in Opera). David J. Levin. Princeton University Press. 1998. ISBN 0691026211 (hardcover).

Schumann and His World. R. Larry Todd. Princeton University Press. 1994. ISBN 0691036977 (hardcover).

Schumann and His World. R. Larry Todd (Editor). Princeton University Press. 1994. ISBN 0691036985 (paperback).

Shostakovich: A Life Remembered. Elizabeth Wilson. Princeton University Press. 1995. ISBN 0691044651 (paperback).

The Social and Religious Designs of J.S. Bach's Brandenburg Concertos. Michael Marissen. Princeton University Press. 1995. ISBN 0691037396 (hardcover).

Studies on the Origin of Harmonic Tonality. Carl Dahlhaus, Robert O. Gjerdingen. Princeton University Press. 1990. ISBN 0691091358 (hardcover).

Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (Princeton Studies in Opera). Carolyn Abbate. Princeton University Press. 1996. ISBN 0691026084 (paperback).

Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (Princeton Studies in Opera). Carolyn Abbate. Princeton University Press. 1991. ISBN 0691091404 (hardcover).

Wagner Androgyne: A Study in Interpretation (Princeton Studies in Opera). Jean-Jacques Nattiez, Stewart Spencer (Translator). Princeton University Press. 1998. ISBN 0691048320 (paperback).

Wagner Androgyne: A Study in Interpretation (Princeton Studies in Opera). Jean-Jacques Nattiez, Stewart Spencer (Translator). Princeton University Press. 1993. ISBN 0691091412 (hardcover).

And Out of His Knapsack He Drew a Fine Fiddle an Introduction to Technique English Fiddle. John Timpany. Princeton University Press. 1987. ISBN 0854180885 (paperback).

Bournonville Ballet Technique: Piano Scores. Knud A. Jurgensen. Princeton University Press. 1992. ISBN 1852730366 (paperback).

Ear Training for the Body: A Dancer's Guide to Music. Katherine Teck. Princeton University Press. 1994. ISBN 0871271923 (paperback).

Mendelssohn and His World. R. Larry Todd (Editor). Princeton University Press. 1991. ISBN 0691027153 (paperback).

Monstrous Opera: Rameau and the Tragic Tradition (Princeton Studies in Opera). Charles William Dill. Princeton University Press. 1998. ISBN 0691044430 (hardcover).

Opera in the Development of German Critical Thought. Gloria Flaherty. Princeton University Press. 1978. ISBN 0691063702 (hardcover).

Osmin's Rage: Philosophical Reflections on Opera, Drama, and Text. Peter Kivy. Princeton University Press. 1988. ISBN 0691073244 (hardcover).

Playing With Signs: A Semiotic Interpretation of Classic Music. V. Kofi Agawu. Princeton University Press. 1991. ISBN 0691091382 (hardcover).

The Science and Art of Renaissance Music. James Haar, Paul Corneilson (Editor). Princeton University Press. 1998. ISBN 0691028745 (hardcover).

Sound and Symbol Vol 1. Princeton University Press. 1956. ISBN 069109828X (paperback).

Thayer's Life of Beethoven. Princeton University Press. 1991. ISBN 0691027021 (paperback).

Thayer's Life of Beethoven. Elliot Forbes (Editor). Princeton University Press. 1991. ISBN 0691027196 (paperback).

Theory Equit Allocat. William Thomson. Princeton University Press. 1998. ISBN 0691042829 (hardcover).

The Corded Shell: Reflections on Musical Expression. Peter Kivy. Princeton University Press. 1980. ISBN 0691072582 (paperback).

The Italian Magrigal. Alfred Einstein. Princeton University Press. 1971. ISBN 0691091129 (paperback).

Madrigal at Ferrara, 1579-1597 (Princeton Studies in Music, No 7). Anthony Newcomb. Princeton University Press. 1979. ISBN 0691091250 (paperback).

Man the Musician Vol 2. Victor Zuckerland. Princeton University Press. 1973. ISBN 069101812X (paperback).

Man the Musician Vol 2. Princeton University Press. 1973. ISBN 0691099251 (paperback).

Music in the French Royal Academy of Sciences: A Study in the Evolution of Musical Thought. Albert Cohen. Princeton University Press. 1981. ISBN 0691091277 (paperback).

Musical Experience of Composer, Performer, Listener. Princeton University Press. 1972. ISBN 0691091161 (paperback).

Musical Experience of Composer, Performer, Listener. R. Sessions. Princeton University Press. 1972. ISBN 069102703X (paperback).

Roger Sessions on Music: Collected Essays. Roger Sessions. Princeton University Press. 1979. ISBN 0691100748 (paperback).

Roger Sessions on Music: Collected Essays. Roger Sessions, Edward T. Cone (Editor). Princeton University Press. 1979. ISBN 0691091269 (paperback).

Sense of Music. Victor Zuckerkandl. Princeton University Press. 1970. ISBN 0691027005 (paperback).

Sound and Symbol: Music and the External World Vol 1. Victor. Zuckerkandl. Princeton University Press. 1956. ISBN 069101759X (paperback).

The Structure of Recognizable Diatonic Tunings. Easley Blackwood. Princeton University Press. 1986. ISBN 0691091293 (paperback).

Back to the top…