Counterpoint in Composition: The Study of Voice Leading. Felix Salzer, Carl Schachter. Columbia University Press. 1989. ISBN 023107039X (paperback).

En Travesti: Women, Gender Subversion, Opera (Between Men-Between Women). Corinne E. Blackmer, Patricia Juliana Smith (Editor). Columbia University Press. 1995. ISBN 0231102690 (paperback).

Piano Student (Level 1). David Carr Glover. Columbia University Press. 1967. ISBN 999462170X (paperback).

Symphonic Music Its Evolution Since the Renaissance. Homer Ulrich. Columbia University Press. 1990. ISBN 0231019084 (hardcover).

The Work of Opera: Genre, Nationhood, and Sexual Difference. Richard Dellamora (Editor), Daniel Fischlin (Editor). Columbia University Press. 1998. ISBN 023110944X (hardcover).

The Work of Opera: Genre, Nationhood, and Sexual Difference. Richard Dellamora (Editor), Daniel Fischlin (Editor). Columbia University Press. 1998. ISBN 0231109458 (paperback).

120 Plus Classical Themes. Columbia University Press. 1990. ISBN 9991491899 (paperback).

4400 Guitar Chords. Columbia University Press. 1979. ISBN 0898988381 (paperback).

Art of Playing the Cymbals. Denov. Columbia University Press. 1985. ISBN 9992014008 (paperback).

Boris Godunov/Rimsky-Korsakov/Vocal Score/K06353. Musorgsky. Columbia UMussorgsky Press. 1989. ISBN 9991850031 (paperback).

Chamber Music. Homer Ulrich. Columbia University Press. 1966. ISBN 0231086172 (paperback).

Class and Idol in the English Hymn. Lionel Adey. Columbia University Press. 1989. ISBN 0774803045 (hardcover).

Columbia's Keyboard Chord Dictionary. Columbia University Press. 1987. ISBN 0898985358 (paperback).

Conductor's Manual of Choral Music Literature. Lee Kjelson, James McCray. Columbia University Press. 1973. ISBN 9990958998 (paperback).

Contemporary Norwegian Music 1920 1980. Nils Grinde. Columbia University Press. 1981. ISBN 8200056937 (paperback).

Creative Chord Substitution: A Journey Through Form and Analysis of Modern Harmony. Ed Arkin. Columbia University Press. 1982. ISBN 9999772463 (paperback).

Elementary Drum Method. Roy Burnes. Columbia University Press. 1962. ISBN 9997603729 (paperback).

The Enchantress an Opera in Four Acts (Kalmus Vocal Scores). Columbia University Press. 1985. ISBN 9992171340 (paperback).

Ferruccio Busoni: Selected Letters. Ferruccio Busoni, Antony Beaumont (Editor). Columbia University Press. 1987. ISBN 0231064608 (hardcover).

First Rival of the Metropolitan Opera. John Frederick Cone. Columbia University Press. 1983. ISBN 0231057482 (hardcover).

Fryderyk Chopin: Pianist from Warsaw. William G. Atwood. Columbia University Press. 1987. ISBN 0231064063 (hardcover).

Fundamentals of Music. Frederic Swift. Columbia University Press. 1989. ISBN 9990712107 (paperback).

Great Ballet Music. Mittler. Columbia University Press. 1989. ISBN 9990327394 (paperback).

The Key to the Mastery of Double Stopping. Gaylord Yost. Columbia University Press. 1941. ISBN 091365020X (paperback).

Michael Aaron Piano Course: Lessons Grade 1 Vol 24. Michael Aaron, Carole Flatau (Editor). Columbia University Press. 1994. ISBN 0898988551 (paperback).

Music As Cognition: The Development of Thought in Sound. Mary Louise Serafine. Columbia University Press. 1988. ISBN 0231057423 (hardcover).

Music by Black Women Composers: A Bibliography of Available Scores (Cbmr Monographs ; #5). Helen Walker-Hill. Columbia University Press. 1995. ISBN 0929911040 (paperback).

Music Forum, Part 1 Vol 6. Felix Salzer, Carl Schachter (Editor). Columbia University Press. 1988. ISBN 0231058322 (hardcover).

The Music Makers. Deena Rosenberg. Columbia University Press. 1979. ISBN 0231039530 (hardcover).

Music of Chance. James Spader / VHS Tape. Columbia University Press. 1994. ISBN 630297352X (paperback).

Music of Chance. James Spader. Columbia University Press. 1994. ISBN 6302996341 (laser disk)

The Musical Idea and the Logic, Technique, and Art of Its Presentation. Arnold Schoenberg, et al. Columbia University Press. 1995. ISBN 0231064284 (hardcover).

One-Hundred Best Loved Piano Solos Vol 2. Robert Schultz (Editor). Columbia University Press. 1994. ISBN 0898989760 (paperback).

Piano Progress: Book 1. June Davison, et al. Columbia University Press. 1967. ISBN 0913650439 (hardcover).

Piano Progress for the Partially Sighted: Book 2A. June Davison, et al. Columbia University Press. 1967. ISBN 0913650153 (hardcover).

Piano Student Heft (Level 2). Glover. Columbia University Press. 1967. ISBN 9994621726 (paperback).

Recent American Opera: A Production Guide. Rebecca Hodell Kornick. Columbia University Press. 1991. ISBN 0231069200 (hardcover).

Reminiscences of Rimsky-Korsakov. Vasilii Vasilevich Yastrebtsev, Florence Jonas (Editor). Columbia University Press. 1985. ISBN 023105260X (hardcover).

Rhythm and Tempo,Hardcover. Columbia University Press. 1989. ISBN 0231069111 (hardcover).

Romantic and Modern Piano Concertos. Al. Wier. Columbia University Press. 1985. ISBN 999890353X (hardcover).

A Short History of Opera. Donald Jay Grout, Hermine Weigel. Williams. Columbia University Press. 1988. ISBN 0231061927 (hardcover).

Threshold to Music: Level 1. Kidd. Columbia University Press. 1974. ISBN 0822490625 (paperback).

Threshold to Music: Higher Grades. Eleanor Kidd. Columbia University Press. 1978. ISBN 0822490684 (paperback).

Threshold to Music: Teacher's Resource Book for Level Two. Eleanor Kidd. Columbia University Press. 1975. ISBN 0822490641 (paperback).

Threshold to Music: Teacher's Resource Book, Early Childhood. Eleanor Kidd. Columbia University Press. 1980. ISBN 0822490609 (paperback).

Turn-Of-The-Century Cabaret: Paris, Barcelona, Berlin, Munich, Vienna, Cracow, Moscow, St. Petersburg, Zurich. Harold B. Segel. Columbia University Press. 1987. ISBN 023105128X (hardcover).

Wayward Wind. James Galway. Columbia University Press. 1983. ISBN 0898982073 (paperback).

Beginner's Fingerpicking Guitar Workshop. Stefan Grossman. Columbia University Press. 1985. ISBN 0898983592 (paperback).

Black Music and Musicians in the New Grove Dictionary of American Music and the New Harvard Dictionary of Music (Cbmr Monographs, No 1). Dominique-Rene De Lerma, Marsha J. Reisser. Columbia University Press. 1989. ISBN 0929911008 (paperback).

Chamber Music. Columbia University Press. 1966. ISBN 023102763X (paperback).

Counterpoint in Composition. Columbia University Press. 1989. ISBN 0070544972 (paperback).

Essays on Rhythms, Music and Movement. Rosentra. Columbia University Press. 1978. ISBN 9991454861 (paperback).

Instrumentally Speaking. Robert Russell Bennett. Columbia University Press. 1975. ISBN 9996455661 (paperback).

The Key to the Mastery of Bowing. Gaylord Yost. Columbia University Press. 1991. ISBN 0913650552 (paperback).

The Lioness and the Little One: The Liaison of George Sand and Frederic Chopin. William G. Atwood. Columbia University Press. 1980. ISBN 0231049420 (paperback).

The Mazeppa legend in European romanticism. Hubert F. Babinski. ISBN 0231038259 (paperback).

The Music Forum, Part 1 Vol 6. Felix Salzer. Columbia University Press. 1981. ISBN 0231047207 (paperback).

Piano Teacher's Source Book: An Annotated Bibliography of Books Related to the Piano and Piano Music. Maurice Hinson. Columbia University Press. 1980. ISBN 9990258392 (paperback).

The Pulitzer Prizes; a history of the awards in books, drama, music, and journalism, based on the private files over six decades. John Hohenberg. Columbia University Press. ISBN 0231038879 (paperback).

A Ravel Reader: Correspondence, Articles, Interviews. Maurice Ravel, Arbie Orenstein (Editor). Columbia University Press. 1990. ISBN 0231049625 (paperback).

Rhythm and Tempo: A Study in Music History. Curt Sachs. Columbia University Press. 1989. ISBN 0231069103 (paperback).

Sound and Poetry. Northrop Frye. Columbia University Press. 1957. ISBN 0231022093 (paperback).

Thoroughbass Method: With Excerpts from the Theoretical Works of Praetorius, Niedt, Telemann, Mattheson, Heinichen, J.S.&C.P.E. Bach, Quantz, and pad. Hermann Keller, Carl Parrish (Translator). Columbia University Press. 1990. ISBN 0231073208 (paperback).

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