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University of California Press

Beethoven and the Construction of Genius: Musical Politics in Vienna, 1792-1803. Tia Denora. University of California Press. 1996. ISBN 0520088921 (hardcover), 0520211588 (paperback).

The Beethoven Quartet Companion. Robert Martin (Editor), et al. University of California Press. 1994. ISBN 0520082117 (hardcover).

Classical Music and Postmodern Knowledge. Lawrence Kramer. University of California Press. 1995. ISBN 0520088204 (hardcover).

Companion to Baroque Music. Julie Anne Sadie (Editor), Christopher Hogwood. University of California Press. 1998. ISBN 0520214145 (paperback).

Companion to Medieval and Renaissance Music. Tess Knighton (Editor), David Fallows (Editor). University of California Press. 1998. ISBN 0520210816 (paperback).

Disembodied Voices: Music and Culture in an Early Modern Italian Convent. Craig A. Monson. University of California Press. 1995. ISBN 0520088751 (hardcover).

Evenings on and Off the Roof: Pioneering Concerts in Los Angeles, 1939-1971. Dorothy Lamb Crawford. University of California Press. 1995. ISBN 0520088913 (hardcover).

The Listening Composer (Ernest Bloch Lecture Series, No 7). George Perle. University of California Press. 1990. ISBN 0520069919 (hardcover).

Listening in Paris: A Cultural History (Studies on the History of Society and Culture, 21). James H. Johnson. University of California Press. 1995. ISBN 0520085647 (hardcover).

Method for the One-Keyed Flute. Janice Dockendorff Boland. University of California Press. 1998. ISBN 0520214471 (paperback).

Music As Cultural Practice, 1800-1900 (California Studies in Nineteenth Century Music, Vol 8). Lawrence Kramer. University of California Press. 1990. ISBN 0520068572 (hardcover).

Music at the Turn of the Century: A 19^th Century Reader (California Studies in Nineteenth Century Music, No 7). Joseph Kerman (Editor). University of California Press. 1990. ISBN 0520068556 (paperback).

Opera As Drama. Joseph Kerman. University of California Press. 1988. ISBN 0520062744 (paperback).

Opera in Seventeenth-Century Venice: The Creation of a Genre. Ellen Rosand. University of California Press. 1991. ISBN 0520068084 (hardcover).

Overtones and Undertones: Reading Film Music. Royal S. Brown. University of California Press. 1994. ISBN 0520085442 (paperback).

Papal Patronage and the Music of St. Peter's, 1380-1513. Christopher A. Reynolds. University of California Press. 1995. ISBN 0520082125 (hardcover).

The Responsibility of Forms: Critical Essays on Music, Art, and Representation. Roland Barthes, et al. University of California Press. 1991. ISBN 0520072383 (paperback).

Speak Low (When You Speak Love): The Letters of Kurt Weil and Lotte Lenya. Kurt Weill, et al. University of California Press. 1996. ISBN 0520078535 (hardcover), 0520212401 (paperback).

Style and Idea: Selected Writings of Arnold Schoenberg. Arnold Schoenberg. University of California Press. 1989. ISBN 0520052943 (paperback).

The Ultimate Art: Essays Around and About Opera. David Littlejohn. University of California Press. 1992. ISBN 0520076087 (hardcover).

Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra. Richard Taruskin. University of California Press. 1996. ISBN 0520070992 (hardcover).

Understanding Toscanini: A Social History of American Concert Life. Joseph Horowitz. University of California Press. 1994. ISBN 0520085426 (paperback).

Violin Virtuosos: From Paganini to the 21^st Century. Henry Roth. University of California Press. 1997. ISBN 1879395185 (hardcover).

Wagner Nights: An American History (California Studies in 19^th Century Music, No 9). Joseph Horowitz. University of California Press. 1994. ISBN 0520083946 (hardcover).

Write All These Down: Essays on Music. Joseph Kerman. University of California Press. 1998. ISBN 0520213777 (paperback).

Writing About Music: A Style Sheet from the Editors of 19^th-Century Music. D. Kern Holoman (Editor). University of California Press. 1988. ISBN 0520063821 (paperback).

The American Musical Landscape (Ernest Bloch Lectures). Richard Crawford. University of California Press. 1993. ISBN 0520077644 (hardcover).

Analyzing Opera: Verdi and Wagner (California Studies in 19^th Century Music). Carolyn Abbate, Roger Parker (Editor). University of California Press. 1989. ISBN 0520061578 (hardcover).

Anatomy of the Orchestra. Norman, Del Mar. University of California Press. 1982. ISBN 0520045009 (hardcover).

Blake Set to Music: A Bibliography of Musical Settings of the Poems and Prose of William Blake (University of California Publications. Catalogs And). Donald Fitch. University of California Press. 1990. ISBN 0520097343 (hardcover).

Catalog of Pre-1900 Vocal Manuscripts in the Music Library, University of California at Berkeley (Catalogs and Bibliographies, Vol 4). John A. Emerson. University of California Press. 1988. ISBN 0520097033 (hardcover).

City Culture and the Madrigal at Venice. Martha Feldman. University of California Press. 1995. ISBN 0520083148 (hardcover).

The Composers Voice. Edward T. Cone. University of California Press. 1982. ISBN 0520046471 (paperback).

The Consort and Keyboard Music of William Byrd Vol 3. Oliver Neighbour. University of California Press. 1979. ISBN 0520034864 (hardcover).

Constructive Dissonance: Arnold Schoenberg and the Transformations of Twentieth-Century Culture. Juliane Brand (Editor), Christopher Hailey (Editor). University of California Press. 1997. ISBN 0520203143 (hardcover).

The Contemporary Contrabass. Bertram Turetzky. University of California Press. 1989. ISBN 0520063813 (paperback).

Decedent Enchantments: The Revival of Gregorian Chant at Solesmes (California Studies in 19^th Century Music, 10). Katherine Bergeron. University of California Press. 1998. ISBN 0520210085 (hardcover).

Essays on Italian Poetry and Music in the Renaissance, 1350-1600 (Ernest Bloch Lectures). James Harr. University of California Press. 1987. ISBN 0520053974 (hardcover).

Heinrich Schenker Oswald Jonas Moriz Violin: A Checklist of Manuscripts and Other Papers in the Oswald Jonas Memorial Collection (University of Cali). Robert Lang, Joan Kunselman. University of California Press. 1994. ISBN 0520097904 (hardcover).

Italian Ars Nova Music; A Bibliographic Guide to Modern Editions and Related Literature. Viola L. Hagopian. University of California Press. 1981. ISBN 0520022238 (hardcover).

Italian Music Incunabula: Printers and Type. Mary Kay Duggan. University of California Press. 1992. ISBN 0520057856 (hardcover).

Kumiuta and Danmono Traditions of Japanese Koto Music. Wiliem Adriaansz. University of California Press. 1973. ISBN 0520017854 (hardcover).

The Masses and Motets of William Byrd. Joseph Kerman. University of California Press. 1981. ISBN 0520040333 (hardcover).

Mozart's Requiem: Historical and Analytical Studies Documents Score. Christoph Wolff, Mary Whittall (Translator). University of California Press. 1994. ISBN 0520077091 (hardcover).

Mozart's Requiem: Historical and Analytical Studies, Documents, Score. Christoph Wolff, Mary Whittall (Translator). University of California Press. 1998. ISBN 0520213890 (paperback).

Music at the Turn of the Century. University of California Press. 1990. ISBN 0520068548 (paperback).

Music Examples for Six Hidden Views of Japanese Music. William P. Malm. University of California Press. 1911. ISBN 0520057279 (hardcover).

Music in Film, Film in Music. University of California Press. 1990. ISBN 9991492135 (hardcover).

Music, Politics, and the Academy. Pieter C. Van Den Toorn. University of California Press. 1996. ISBN 0520201159 (hardcover), 0520201167 (paperback).

New Directions for Clarinet. University of California Press. 1993. ISBN 9993572918 (paperback).

The Owl and the Nightingale. University of California Press. 1990. ISBN 0460047779 (hardcover).

The Owl and the Nightingale: Musical Life and Ideas in France, 1100-1300. Christopher Page. University of California Press. 1990. ISBN 0520069447 (hardcover).

Piano and Organ Without a Teacher: Book One. Vladislav Celik. University of California Press. 1995. ISBN 0962406236 (paperback).

The Polyphony of Saint Martial and Santiago De Compostela. Theodore Karp. University of California Press. 1992. ISBN 0520047443 (hardcover).

Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde. Georgina Born. University of California Press. 1995. ISBN 0520202163 (paperback).

Romantic Opera and Literary Form. University of California Press. 1982. ISBN 0520032586 (paperback).

Serial Composition and Atonality. University of California Press. 1991. ISBN 0520075056 (hardcover).

Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg, and Webern. George Perle. University of California Press. 1991. ISBN 0520074300 (hardcover).

The Sight of Sound: Music, Representation, and the History of the Body. Richard Leppert. University of California Press. 1993. ISBN 0520081749 (hardcover).

Studies in Musicology II: 1929-1979. Charles Seeger. University of California Press. 1994. ISBN 0520077911 (hardcover).

Style and Idea. University of California Press. 1984. ISBN 0520052862 (paperback).

Themes and Conclusions. Igor Stravinsky. University of California Press. 1983. ISBN 0520046528 (paperback).

Tonal Allegory in the Vocal Music of J.S. Bach. Eric Thomas Chafe. University of California Press. 1991. ISBN 0520058569 (hardcover).

Twelve-Tone Tonality. George Perle. University of California Press. 1996. ISBN 0520201426 (hardcover).

Wagner Nights: An American History (California Studies in 19^th Century Music, #9). Joseph Horowitz. University of California Press. 1998. ISBN 0520213750 (paperback).

The Work of Music and the Problem of Its Identity. Roman Ingarden. University of California Press. 1986. ISBN 0520055292 (hardcover).

Write All These Down: Essays on Music. Joseph Kerman. University of California Press. 1994. ISBN 0520083555 (hardcover).

Writing for the Pedal Harp. Ruth Inglefield, Lou Anne Neill. University of California Press. 1985. ISBN 0520048326 (paperback).

You Too Can Play Piano and Organ Without Teacher: See How Right Now: Your First Book. Vladislav Celik. University of California Press. 1987. ISBN 096240621X (paperback).

Between Romanticism and Modernism. University of California Press. 1989. ISBN 0520036794 (paperback).

The Composer's Voice. Edward T. Cone. University of California Press. 1974. ISBN 0520025083 (paperback).

Dialogues. Robert Craft, Igor Stravinsky. University of California Press. 1982. ISBN 0520046501 (paperback).

Explaining Music; Essays and Explorations,. Leonard D. Meyer. University of California Press. 1973. ISBN 0520022165 (paperback).

Great Composers. University of California Press. 1978. ISBN 0520032667 (paperback).

Great Composers: Reviews and Bombardiments by Bernard Shaw. Bernard Shaw, Louis Crompton. University of California Press. 1978. ISBN 0520032535 (paperback).

Horizons Circled: Reflections on My Music. Ernst Krenek. University of California Press. 1974. ISBN 0520023382 (paperback).

Music at the Inns of Court during the reigns of Elizabeth, James, and Charles. Robert W. Wienpahl. ISBN 0835704173 (paperback).

Pitch notation and equal temperament: a formal study. Eric Regener. ISBN 0520094530 (paperback).

Singing for Power. University of California Press. 1977. ISBN 0520032802 (paperback).

Sound Color. Wayne Slawson. University of California Press. 1985. ISBN 0520051858 (paperback).

Sound Structure in Music. Robert Erickson. University of California Press. 1975. ISBN 0520023765 (paperback).

Studies in Musicology, 1935-1975. Charles Louis, Seeger. University of California Press. 1977. ISBN 0520020006 (paperback).

Tradition of Western Music. Gerald Abraham. University of California Press. 1974. ISBN 0520026152 (paperback).

The tradition of Western music. Gerald Abraham. ISBN 0520024141 (paperback).

Voices and Instruments of the Middle Ages: Instrumental Practice and Songs in France 1100-1300. Christopher Page. University of California Press. 1987. ISBN 0520059328 (paperback).

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